It all starts with a mental image: an orange that bleeds. Tainted with the aesthetics of the Japanese counterculture and the Aztec rituals of human sacrifice as a form of poetics, and where cannibalism presents itself as a sign to demonstrate contempt for exasperation, Liza Ambrossio mixes performance, space intervention, videos, installations, practices of psychological manipulation, science fiction, eroguru, and witchcraft.
